Ink Diffusion Simulation for 3D Virtual Calligraphy

Jungpil Shin; Makoto Marumoto

doi:10.20965/jaciii.2013.p0598

single-jc.php

« previous

JACIII Vol.17 No.4 pp. 598-603

doi: 10.20965/jaciii.2013.p0598

(2013)

Paper:

Views over last 60 days: 479

Ink Diffusion Simulation for 3D Virtual Calligraphy

Jungpil Shin and Makoto Marumoto

Graduate School of Computer Science and Engineering, The University of Aizu, Aizu-Wakamatsu City, Fukushima 965-8580, Japan

Received:

November 27, 2012

Accepted:

May 4, 2013

Published:

July 20, 2013

Keywords:

ink diffusion, 3D, virtual calligraphy

Abstract

Calligraphy is one of traditional culture in Japan. In calligraphy, writers express their feeling by using various shapes of strokes and various effects such as scratchiness and ink diffusion phenomenon. Therefore, scratchiness and ink diffusion phenomenon are crucial features in calligraphy. The purpose of this paper is realization of ink diffusion phenomenon which is one of the important features in 3D Virtual Calligraphy Simulation. Ink diffusion phenomenon is influenced by various factors such as the conditions of the ink, paper, and brush. In this paper, the extent of ink diffusion phenomenon and ink color is considered on density of ink and quantity of water. Considering these factors, to express ink diffusion phenomenon in 3D Virtual Calligraphy Simulation in real time, new drop model was used. Ink diffusion phenomenon occurs when ink is diffused circularly. Using this principle, we created a drop model and realized ink diffusion phenomenon. With this method, a feathery, blurred edge that is characteristic of ink diffusion phenomenon is also able to be expressed.

Cite this article as:

J. Shin and M. Marumoto, “Ink Diffusion Simulation for 3D Virtual Calligraphy,” J. Adv. Comput. Intell. Intell. Inform., Vol.17, No.4, pp. 598-603, 2013.

Data files:

References

[1] Y. Hurusho, K. Hirano, K. Nakamura, and K. Kotani, “Aesthetic evaluation of a Brush of Kanji character based on emotion information,” Tohwa Univ. and Japan Advanced Institute of Science and Technology Univ., Technical Report of IEICE, pp. 81-88, 2001 (in Japanese).
[2] K. Miyasaki, “Charms of sumi - ink color,” Society of Japanese Book Publication, 1998 (in Japanese).
[3] S. Huang, D. Way, and Z. Shih, “Physical-based Model of Ink Diffusion in Chinese Ink Paintings,” Proc. of 11th Int. Conf. in Central Europe on Computer Graphics and Visualization (WSCG ’03), pp. 520-527, 2003.
[4] Q. Guo and T. Kunii, “Modeling the Diffuse Paintings of ‘Sumie’,” Modeling in computer graphics (Proc. of the IFIP WG5.10) Berlin, Springer, pp. 329-338, 1991.
[5] K. Kondo, “About the blot expression by the brush model that uses ‘Model of Japanese paper’ and ‘Internal DLA’,” graduation thesis, School of Software Information, Iwate Prefecture Univ., 2009.
[6] J. Lee, “Diffusion rendering of black ink paintings using new paper and ink models,” Computer &Graphics, Vol. 25, pp. 295-308, 2001.
[7] T. Nakamura, R. Mano, H. Seki, and H. Ito, “Processing system for scratchiness and ink diffusion phenomenon brush font,” J. of Information Processing Society in Japanese, Vol.38, No.5, pp. 1008-1015, May 1997 (in Japanese).
[8] Y. Yu, D. Lee, Y. Lee, and H. Cho, “Interactive Rendering Technique for Realistic Oriental Painting,” J. of WSCG’2003, Vol.11, pp. 538-545, 2003.
[9] A. Wada, “3D Virtual Calligraphy Simulation with Pen Tablet,” graduation thesis, School of Computer Science and Eng., the Univ. of Aizu, Fukushima, 2010.
[10] Y. Ishikame, N. Miura, A. Hosaka, and T. Hukushima, “Generated character of brush by modeling the brush,” Akita University, pp. 45-51, 1997 (in Japanese).

This article is published under a Creative Commons Attribution-NoDerivatives 4.0 Internationa License.

[1] [1] Y. Hurusho, K. Hirano, K. Nakamura, and K. Kotani, “Aesthetic evaluation of a Brush of Kanji character based on emotion information,” Tohwa Univ. and Japan Advanced Institute of Science and Technology Univ., Technical Report of IEICE, pp. 81-88, 2001 (in Japanese).

[2] [2] K. Miyasaki, “Charms of sumi - ink color,” Society of Japanese Book Publication, 1998 (in Japanese).

[3] [3] S. Huang, D. Way, and Z. Shih, “Physical-based Model of Ink Diffusion in Chinese Ink Paintings,” Proc. of 11th Int. Conf. in Central Europe on Computer Graphics and Visualization (WSCG ’03), pp. 520-527, 2003.

[4] [4] Q. Guo and T. Kunii, “Modeling the Diffuse Paintings of ‘Sumie’,” Modeling in computer graphics (Proc. of the IFIP WG5.10) Berlin, Springer, pp. 329-338, 1991.

[5] [5] K. Kondo, “About the blot expression by the brush model that uses ‘Model of Japanese paper’ and ‘Internal DLA’,” graduation thesis, School of Software Information, Iwate Prefecture Univ., 2009.

[6] [6] J. Lee, “Diffusion rendering of black ink paintings using new paper and ink models,” Computer &Graphics, Vol. 25, pp. 295-308, 2001.

[7] [7] T. Nakamura, R. Mano, H. Seki, and H. Ito, “Processing system for scratchiness and ink diffusion phenomenon brush font,” J. of Information Processing Society in Japanese, Vol.38, No.5, pp. 1008-1015, May 1997 (in Japanese).

[8] [8] Y. Yu, D. Lee, Y. Lee, and H. Cho, “Interactive Rendering Technique for Realistic Oriental Painting,” J. of WSCG’2003, Vol.11, pp. 538-545, 2003.

[9] [9] A. Wada, “3D Virtual Calligraphy Simulation with Pen Tablet,” graduation thesis, School of Computer Science and Eng., the Univ. of Aizu, Fukushima, 2010.

[10] [10] Y. Ishikame, N. Miura, A. Hosaka, and T. Hukushima, “Generated character of brush by modeling the brush,” Akita University, pp. 45-51, 1997 (in Japanese).